a.sight.for.sore.eyes.S01E06

[vc_row][vc_column width=”1/1″][vc_video title=”A sensorial study about the movement’s ability to create meaning.” link=”https://vimeo.com/106172717″%5D%5B/vc_column%5D%5B/vc_row%5D%5Bvc_row%5D%5Bvc_column width=”2/3″][vc_video title=”4DSOUND: A New Dimension” link=”http://www.youtube.com/watch?v=WvM-SxrMv6s”%5D%5B/vc_column%5D%5Bvc_column width=”1/3″][vc_separator][vc_separator][vc_column_text]

4DSOUND allows evolving changes in three-dimensional positioning of sound. An expansive array of speakers, a Max-based core, and custom Max for Live devices allow for sound to be positioned anywhere within the system’s space.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/1″][vc_video title=”Man and nature try to coexist, but their boundaries are falling apart.” link=”https://vimeo.com/107532259″%5D%5B/vc_column%5D%5B/vc_row%5D%5Bvc_row%5D%5Bvc_column width=”2/3″][vc_video title=”Puppets, Turntables, And A String Quartet” link=”https://vimeo.com/102361559″%5D%5B/vc_column%5D%5Bvc_column width=”1/3″][vc_separator][vc_separator][vc_column_text]

Under Barrett’s direction, the performance unfolds via real-time filming of more than a dozen miniature stages and a cast of puppets, while Kid Koala, accompanied by the Afiara String Quartet, performs his original score on piano and turntable.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/1″][vc_video title=”Bonobo : Prelude – Kiara Live at Dimensions Festival 2013, Pula Arena” link=”http://www.youtube.com/watch?v=_qnAowOProU”%5D%5B/vc_column%5D%5B/vc_row%5D%5Bvc_row%5D%5Bvc_column width=”2/3″][vc_video title=”Boston Layer-Lapse” link=”https://vimeo.com/108792063″%5D%5B/vc_column%5D%5Bvc_column width=”1/3″][vc_separator][vc_separator][vc_column_text]

Traditional time-lapses are constrained by the idea that there is a single universal clock. In the spirit of Einstein’s relativity theory, layer-lapses assign distinct clocks to any number of objects or regions in a scene.

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